![]() ![]() In The Nice Guys, he leaves it up to Gosling and Crowe to use the former to fill in the gaps left behind by the lack of the latter.- Andy Crump / Full review They’re a standout odd couple, but Black’s films are defined by great odd couples as much as they are by great scripting. Gosling, on the other hand, shapes Holland through boozy tomfoolery and pratfalls. Crowe plays it straight and grumpy, and you half expect him to declare that he’s too old for this shit at any given moment. Gosling and Crowe are a great pair, so great that their team-up should justify funding for a buddy picture series where Holland and Jackson undertake jobs that spiral out of hand and above their pay grades. If you get tired of that, he’ll set off a gun or throw a few punches, though it is impossible to imagine anybody finding the clownish sight of Gosling tumbling off of balconies or crashing through plate glass tiresome. If you find yourself growing tired of wordplay, Black will turn things around and slide in some Three Stooges slapstick. Black is as quick with action scenes as with punchlines. Every advance that Shane Black’s The Nice Guys takes toward quality is made on the strengths of Russell Crowe and Ryan Gosling. Think Jennifer Lawrence in Silver Linings Playbook, or Alan Rickman in Robin Hood: Prince of Thieves. Good performances can polish average movies with just enough elbow grease they end up looking like gems. The result is a character portrait of genuine complexity.- Kenji Fujishima / Full review Gradually we get a sense of the source of that pain: chiefly, the recent loss of her long-time husband, Joe, which she deals with by basically becoming charitable to an extreme degree toward others, including her not-always-welcoming daughter, Lori (Rose Byrne), who herself is also dealing with the emotional fallout from a recent breakup. In the film’s opening scene-when Marnie is heard in voiceover talking about settling into her new Los Angeles surroundings, the images often contradicting her descriptions-one can already tell we’re in the presence of someone who is overcompensating for some inner pain. Marnie isn’t exactly the type of person to say what she truly means and feels. Some of that attention to detail can be heard in Scafaria’s dialogue, both directly and implicitly. Even among films like this that style themselves as “character studies”-films that deign to closely observe a character’s behavior in order to get at his/her perhaps inexplicable psychological essence-the sheer amount of detail in writer/director Lorene Scafaria’s script is astonishing. But Sarandon’s triumph here would not be possible without a screenplay that gives her plenty to work with. Let it be said, right off the bat, that Susan Sarandon is magnificent as doting, well-intentioned mother Marnie Minervini in The Meddler, infusing the character with magnetism while still allowing us to grasp the neediness that fuels her behavior, for better and for worse. Here are the 10 best movies in theaters right now: So visit your local art-house theater or megaplex chain, buy a tub of popcorn and settle in with these 10 recommended movies.Īnd if you’d rather stay home, check out Paste’s in-depth movie guides, including Netflix, HBO, Amazon, Showtime, Redbox and movies on demand. Simpson documentary, a Korean horror film, a Jane Austen adaptation and a Marvel Comics blockbuster. The best new movies playing in theaters this month include the latest from Pixar, an O.J.
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